Love continues to sound wonderful! And we will continue our study. What else is there to say about the sound of love? We’ll deploy two more “devices” to move this forward. 

It is obvious that love becomes almost secondary to our exercise with poetic devices. The “bookends” of ONOMATOPEIA and ALLITERATION worked well in tandem. The next pair to accomplish this feat are CACOPHONY and EUPHONY.

Again with the definitions:

CACOPHONY is the purposeful use of harsh sounds for effect. Could CACOPHONY tie in to ONOMATOPOEIA or ALLITERATION? It certainly could. But, we will attempt to separate the melodious from the CRASS!

EUPHONY contrasts CACOPHONY in that it uses flowing, smooth, harmonious sounds.It utilizes repeated vowel sounds and what are referred to as “liquid consonants” l (as in leopard) and r (as in radio).

In our discovery, we see that the “sound” aspects we use are more specific than just repeated letters or “noisy” words. 

For this week’s entries, take one of your poems from the first two weeks and rework it using a more purposeful sound device in CACOPHONY or EUPHONY. Of course, you may write a totally new poem using these as well!

The purpose for these “variations on a theme” is to give us a more detailed array of devices to use in our poems. As drafts of more polished pieces, they should come in handy when the PAD challenges come along specifically to write “love” poems.

Good luck with this week’s poems!